Every detail in the framing processes is carefully discussed and selected to ensure the finest representation. Each element is specifically chosen to enhance and reflect the nature of the piece.
Particular attention is paid to archival standards to ensure the preservation and longevity of the artwork.
The final display of each piece is produced to museum specification. 100% cotton, pH neutral, unbuffered mounting boards are used in all frames and 2mm, low reflective, UV glass applied throughout.
Lime wood, slim profile. ‘Blue Hour’ black stain.
Poplar wood. Black Plaka colour wash, light antique finish.